Events for September 9, 2026 - September 9, 2026

2026-09-09T00:00:00-07:00
  • Make and Take: Recycled Magnets

    Vision Gallery 10 E Chicago St, Chandler, AZ, United States

    Inspired by our current exhibition, “The Collectionists,” transform trash into treasure! Stop by Vision Gallery to make a bottlecap magnet using collage, beads, and other found objects. When you’re done, you’ll have a one-of-a-kind creation to display on your fridge! This is a free, self-led activity for all ages. Children are welcome to participate with assistance from an adult. Registering for a time slot helps us plan, but drop-ins are welcome! REGISTER

  • Lurking: Valerie Navarrete

    The Gallery at CCA 250 North Arizona Avenue, Chandler, AZ, United States

    How do you bring scientific thought to life? How do you explain the mystics of the world in a tangible way? These are some of the questions that Valerie Navarrete is grappling with in her newest body of work. Navarrete has always had a profound love for both the arts and sciences. In college, she double majored in painting and molecular cellular developmental biology. In her graduate program, Navarrete began researching epigenetics, the study of how your behaviors and environment can cause changes that affect how your genes work. It was through this research that she discovered CH Waddington, a scientist

  • Art Quilts 31: Constructed Softly

    Vision Gallery 10 E Chicago St, Chandler, AZ, United States

    This exhibition considers how textiles build meaning through softness, layers, mark making, and time—honoring processes often coded as feminine while welcoming all makers and interpretations—honoring voices often hidden and silenced through the open expression of ideas. Through layering, construction, and stitch, these soft materials may be transformed to challenge hierarchies, elevate overlooked labor, and assert the quiet force of making as an act of presence and power. “This theme resonates with me on a personal level. Having a background in architecture and construction management, I struggle with the conflict between the perceived masculine world of architecture and my artwork. My career

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